Every single job was shot on 35mm film and delivered to us on MiniDV tape after the telecine session. Being thrown completely in the deep end, I had to not only learn Media Composer very quickly, but also start to develop rock-solid workflows for this rapidly growing editing house, as new shooting formats such as RED started to hit the scene. When I first started there were only two editors, both cutting in Avid Media Composer 3.0.5. In February 2009, after completing my degree I began my career in Post Production as the sole Assistant Editor at The Butchery – a highly respected and accoladed boutique offline editorial company in Melbourne.
#X2pro audio convert tria pro
I probably know Final Cut Pro better than any other piece of software. Final Cut Express essentially inspired me to quit my career as a Lighting Designer, and head to Swinburne University to study a Bachelor of Film & Television. During my time at Swinburne, I spent countless hours on Final Cut Pro cutting all kinds of short films, music videos and documentaries. Being a massive computer nerd – the Mac was something completely new for me, and I absolutely loved it’s simplicity and power. It wasn’t until a few years after high school when my brother purchased an iMac with Final Cut Express 2 and DVD Studio Pro (standalone), that I really started to get into Post Production and filmmaking in general.
During high school I did a couple of little projects on Premiere on a PC – but never really got into it as the software was so slow and unreliable. During school holidays, my brother, sister and whoever else we could rope in, would film Starwars-inspired movies on our Granddad’s trusty Panasonic G1, and edit them together using two domestic VHS recorders, with a cheap 4-channel audio mixer in-between for fancy real time mixing. Before I go down the FCPX rabbit hole, I just want to give you a quick run-down of my background for those that don’t know… I was one of those kids that grew up in the VHS-era.
0 kommentar(er)
